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The Umbrellas

The Umbrellas

The Umbrellas LP/LP/CD

Joining a long line of SF bay area indie bands, The Umbrellas are sure to dazzle with their new self-titled debut album. Classic indiepop influences abound, from The Byrds to Orange Juice, The Pastels, Comet Gain and Belle & Sebastian, along with a noticeable garage-pop/Paisley Underground flavor that is a hallmark of San Francisco's best bands. Lead-off single "She Buys Herself Flowers" introduces us to a band that's both intimately conversant with indiepop history but also unburdened by it, a group with the song-crafting chops and spirit to take familiar elements and create for themselves a fresh new sound. The album goes from strength to strength, studded with pop gems like "Near You," "Lonely" and "Pictures" -- tunes that sound like classics from the first listen, as timeless and elemental as all great pop.

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Uncommon Weather

The Reds, Pinks and Purples

From the many musical lives of artist Glenn Donaldson emerges The Reds, Pinks and Purples, a project that sifts out the purest elements of pop music and in the process chronicles the point of view of an assiduous songwriter. His new album "Uncommon Weather" is both an elusive portrait of San Francisco -- during one of its fluctuations as an untenable place for musicians and artists -- and also a self-portrait of a songwriter who has dispatched another treasured collection of timeless sounding DIY-pop songs. Self-recorded and mostly self-performed, the music on "Uncommon Weather" continuously reckons with the influence of The Television Personalities' Dan Treacy, as well as The Cleaners From Venus, Blueboy, East River Pipe, and the Cherry Red and Flying Nun labels. Beautiful, mysterious and rather perfect pop.

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A Strange Dream

Smokescreens

Following up their well-received 2018 album Used To Yesterday LA's Smokecreens are back with the excellent new record A Strange Dream. Produced by David Kilgour from NZ legends The Clean, "A Strange Dream" shows a band at the peak of it's talents, ably blending influences like The Go-Betweens, UK DIY indie and pop, and of course Flying Nun into a compelling, compulsive album. From the jaunty pop of opener "Fork In The Road" to the rocking "Streets of Despair" and the dreamy "On and On" this is a record that clearly shows a band that knows it's way around a timeless guitar riff and aching pop melody. Gorgeous ballads like "Nighttime Skies" and "I Love Only You" add a new depth to Smokescreens' sound, and the cover of Scrotum Poles' DIY classic "Pick The Cats Eyes Out" is perfect, and perfectly fun. A future classic.

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After School Special

Lunchbox

Lunchbox's Tim Brown and Donna McKean have been making records for two decades, inspired by 1960s/70s AM-radio pop and TV show theme music, punk, C86, and mod à la the Creation and the Jam. "After School Special" finds them at the height of their powers of songcraft and performance. From the shimmering opener "Dream Parade" to the horn-driven mod-pop of "Hide and Seek" and the haunting male-female vocal stylings of the title track and album closer, the textures shift while the unity of artistic vision remains. Catchy as hell and beautifully packaged, this is Lunchbox at their very best.

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A Tear In The Fabric

Devon Williams

Over three albums under his own name, Devon Williams has honed a trademark blend of power pop, folk rock, and jangle pop, anchored by his distinctive melodic gifts. After a six-year break, he returns with A Tear In The Fabric: 12 songs driven by a lilting dreaminess, rock-solid songcraft, and unerring hooks. Reference points might include artists like Tommy Keene, The Church and Felt, but Williams is very much his own writer.

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Agitprop Alterna

Peel Dream Magazine

Agitprop Alterna CD/cassette/LP

Peel Dream Magazine is the musical vehicle for NYC's Joe Stevens, who launched the band in 2018 with the critically acclaimed album Modern Meta Physic, a mysterious, liminal tribute to the hazy end of '90s dream-pop that found its place on numerous "Best of 2018" lists. Now Peel Dream are back with Agitprop Alterna, an album that pays homage to the fuzzy, mod-ish pop of acts like My Bloody Valentine and early Stereolab, but it's also indebted to stateside bands like Yo La Tengo and Rocketship that were cut from a similar cloth. Agitprop Alterna finds Stevens deepening the connection between the existential and the interpretive first explored on Modern Meta Physic. It is a rejection of manipulation in all its forms and a buzzsaw against complacency; it's a rare trick to agitate without being obvious, and perhaps that makes Agitprop Alterna the most Peel Dream Magazine-like statement yet.

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Hotrod Hotel

East Village

East Village are one of the great lost bands. From their mid-80s roots as Episode Four to their late-80s heyday with a string of now highly sought-after singles and EPs on labels like Sub Aqua, Heavenly and Summershine, East Village forged a brilliant, classic sound that resonated with contemporaries like the Flying Nun and Creation label bands, but also hearkened back to 60s influences like The Byrds, Dylan and Velvet Underground. Hotrod Hotel is a selection from the band's remarkable singles and is presented here for the first time on vinyl, packaged in a heavy, 60s-style album jacket with a 4-page insert featuring rare band pics and liner notes by Jon Dale.

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Singles 1986-1991

The Springfields

When it comes to indiepop, few names are as respected as Ric Menck and Paul Chastain and their project The Springfields. Taking their cues from influences like The Byrds and The Hollies they created a sound that was as jangly and melodic as their inspirations, but marked by a unique songwriting voice, excellent tunes, and sterling arrangements. This comp collects the 5 singles they released on Sarah, Picture Book, Summershine and Seminal Twang and adds one extra tune, here on vinyl for the first time. From the Paisley Underground-aligned opener "This Perfect Day" through the perfect pop of songs like "Sunflower" and a clutch of savvy covers, The Springfields created a compact, flawless catalog that more than justifies its legendary status and this timely reissue.

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Jeanines

Jeanines

Brooklyn's Jeanines specialize in short bursts of energetic but melancholy minor-key pop. With influences that run deep into the most crucial tributaries of DIY pop — Television Personalities, Marine Girls, early Pastels, Dolly Mixture — they've crafted a style that is as individual as it is just plain pleasurable. Jeanines specialize in 60s-meet-80s melodies that combine with timeless guitar jangle in a way that recalls the UK's C86/C88 era, when smart young bands crafted perfect pop gems enlivened by the inspiration of punk. Clearly, with 16 great songs included, there is a lot at work here on this standout debut album. Jeanines have been compared to such cult pop icons as Black Tambourine and more recent acts like Veronica Falls and Girl Ray, but their dark, modal melodies and pensive, philosophical lyrics ensure them a place of their own in today's crowded but boisterously healthy DIY pop scene.

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Seventeen Seconds

Frankie Rose

Synthesizing wide-ranging influences, Frankie Rose has crafted a distinctive musical voice that echoes some of the best post-punk and 80s pop while still sounding totally fresh. It was in this spirit that Frankie covered The Cure's "Seventeen Seconds" for Turntable Kitchen's Sounds Delicious series. Here's Frankie on the challenge of tackling this album: "Since I already think it's a perfect record, I tried not to reinterpret too much and stick to similar sounds as the original, but with a twist. Working on it with Jorge Elbrecht was a dream, because he's the only person who's as deep of a Cure fan as I am! And he's a damn wizard!" Frankie and Jorge have created something quite special, paying tribute to this classic album while still putting their own contemporary stamp on the songs.

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Ripe For Anarchy

Business of Dreams

Helmed by Terry Malts/Smokescreens/Magic Bullets member Corey Cunningham, Business of Dreams eschews the punk/indie guitar approach of those bands for something softer and less guitar-focused. Hearkening back to the mid-80s melding of synths and indiepop, Business of Dreams' 2017 eponymous debut was an unexpected pleasure that topped many savvy listeners' year-end lists. With his new album "Ripe For Anarchy," Cunningham has honed the songwriting with an eye towards regret, existence, and perseverance. The mantra here is this: it's time to let go. "The album is about living in the moment, shedding neurosis, and the desire to discard the general societal malaise we'e been roped into." The lush tunes abound with references to The Go-Betweens, The Smiths and The Field Mice -- beautiful melodies underpinning songs about the wounded, the lonely and the mournful. Perfect, timeless pop.

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Parallel Universe Blues

Papercuts

Papercuts' new album "Parallel Universe Blues" has a sound that is intimate and close, nicely balancing the sonic concerns of the last few Papercuts records: perfect Spectorian pop songs echoed down through The Velvet Underground, LA's Paisley Underground, Spiritualized and The Jesus and Mary Chain. Songs like "Laughing Man," "How To Quit Smoking," "Sing To Me Candy" and "Clean Living" are all gorgeous, melodic gems, never sacrificing song-writing for atmospherics and bringing to mind late night/rainy day albums like "Darklands" and "Chelsea Girl." "Parallel Universe Blues" is a triumph and points to more great things in the future from Quever and Papercuts.

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Modern Meta Physic

Peel Dream Magazine

Modern Meta Physic LP/CD/cassette

Joe Stevens' NYC-based project Peel Dream Magazine is highly evocative of a certain strain of independent music -- a gentle, fuzzy psychedelia, recalling the best of early Stereolab, Lilys and other shaggy haired kids with a penchant for a hypnotic bit of mod-ish lo-fi pop. Written and recorded over a four-week period in the fall of 2017, Peel Dream Magazine's debut album "Modern Meta Physic" fixates on the New Age universe of the Catskills region of New York, an esoteric milieu steeped in Far East philosophy, Native American tradition and mid-century modern cool. Tunes like "Qi Velocity" and "Due to Advances in Modern Tourism" percolate and hum, leading you down a sonic path with markers as varied as Broadcast, Neu!, Steve Reich & Grouper.

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Hands In The Till: The Complete John Peel Sessions

The Wolfhounds

At the peak of media attention over the NME's C86 cassette, The Wolfhounds recorded three four-song sessions for the BBC's legendary John Peel Show between March 1986 and January 1987, capturing all the excitement and youthful exuberance of a band just catching the public imagination. With an energy born of sweaty, rammed gigs in London pubs and a willful experimentation nurtured in suburban bedrooms and garages away from watchful eyes, The Wolfhounds blasted their raw live sound straight to tape with little in the way of overdubs or the more considered studio polish of their excellent albums. Every song from these sessions is now gathered together on Hands In The Till, making a surprisingly coherent whole despite the heady disorganized thrust of the times and a couple of line-up changes in the meantime. More wiry and angular than most of their C86 peers, The Wolfhounds had more in common with The Fall than The Byrds, and Hands In The Till shows them at their caustic best.

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Kill The Lights

Tony Molina

With his brilliant new album "Kill The Lights," West Bay native Tony Molina continues his artistic evolution, steadily moving away from raging Weezer/Teenage Fanclub-style power-pop nuggets fueled by shredding guitar pyrotechnics and Tony's ironclad DIY HC roots to mostly acoustic arrangements that owe as much to "Horizontal"-era Bee Gees and the Fanclub's mellower moments as they do to Georges Harrison and Martin. From the Byrds-y opener "Nothing I Can Say" to the subtly wrenching "Wrong Town" and the gorgeous folk-picking of "Now That She's Gone" we hear Tony synthesizing his influences with great skill and intention These classic folk and pop styles are being employed in the service of stellar songs and universal lyrical truths, reflecting a dedication to craft combined with an intense commitment to self-expression that transcends simplistic genre boundaries and is totally true to Tony's DIY punk roots.

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Used To Yesterday

Smokescreens

LA's Smokescreens began as a couple of pals (Chris Rosi from Plateaus, Corey Cunningham from Terry Malts) paying tribute to the seminal 80s sounds of New Zealand's Flying Nun label and has grown to be so much more. Since their self-titled 2017 the band has expanded to a four piece and honed their tunes with constant SoCal gigging. Their new album "Used To Yesterday" continues Smokescreen's zeal for New Zealand pop but also incorporates influences from the more melodic side of Messthetics-era DIY pop and expands into classic indie pop territory, a natural fit for the Slumberland Records roster. From the NZ-meets-Athens GA single "The Lost Song" through the 12-string driven "Waiting For The Summer" to the Paisley Underground-tinged closer "Falling Down," Smokescreens really excel in the quality of their songwriting and their ability to incorporate a disparate set of influences while still forging their own sound and identity.

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Aloha Hola

D.A. Stern

D.A. Stern, the solo project of David Aaron Stern, is the musical amalgamation of crossword puzzle obsession, backgammon playing, and working as a recording engineer at Beastie Boy Adam Yauch's (aka MCA) studio. Stern's laid back, tongue-in-cheek lyrics effortlessly complement his dreamy pop rock arrangements of dense guitars and swirling organs. The music of D.A. Stern, who is more inspired by filmmakers Albert Brooks and Mel Brooks than any songwriter, could be compared to contemporaries Deerhunter, Real Estate and Yo La Tengo but with the timelessness of Paul Westerberg or the classicist bent of Harry Nilsson. "Aloha Hola" is Stern's debut and it's an assured set of classic pop songs that flirt with folk-pop, power-pop and indiepop while remaining comfortably outside of easy genre categorization. Stern's songwriting talent is in ample evidence on earworm singles like "Am I Ever On Your Mind?" and "Bluedgenes," packed with smart lyrics, chiming guitars and indelible hooks.

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Could It Be Different?

The Spook School

Glasgow's The Spook School are like indiepop super heroes, conjuring up some of the most infectious pop tunes we've heard in years, rocking crowds around the world, smashing at the gender binary while grappling with obstacles personal and political -- and having a marvelous time while doing it. Could It Be Different?, the band's third long-player, is a collaborative album of personal storytelling that works through life's hardships with positivity — even at their most beaten down, The Spook School manage to find hope, free of naivety. It's a record full of the insecurities and anxiety that arrive after self-awareness, in learning something new and potentially frightening about yourself. But at it's heart is joy — there's no desolation on the LP, because The Spook School manage to find light in moments of darkness. Why cry when you can dance?

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